Atkinson, Peter James (2011) Poetic licence: Issues of signification and authorship in British television verse-documentary, 1986–96. Studies in Documentary Film, 5 (1). pp. 61-74. ISSN 1750-3280
Full text not available from this repository.
Official URL: http://dx.doi.org/10.1386/sdf.5.1.61_1
This article examines the development of the television verse-documentary form in Britain between 1986 and 1996. Close textual analysis is applied to selected works from this period in order to observe the signifying processes involved when verse commentary is used in documentary and a definition for the generic label ‘versedocumentary’ is proposed. Verse-film juxtaposition in the documentary mode is also seen to have implications for the issue of authorship and how a documentary ‘comes to voice’ through what Trish FitzSimons identifies as the ‘braiding’ process.
|Uncontrolled Keywords (separate with ;):||Braided Channels; Voice; Simon Armitage; Tony Harrison; Peter Symes; verse-documentary|
|Subjects:||Mass communications & documentation > Media production|
|Schools:||Faculty of Culture & the Creative Industries > School of Humanities and Social Sciences|
|Deposited By:||Malgosia Bagot|
|Deposited On:||19 Jul 2012 13:46|
|Last Modified:||17 May 2016 12:32|
Downloads per month over past year
Downloads for past 30 days
Repository Staff Only: item control page