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Being vertical: staging the vertical subject on the Manchester Salford Border.
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European Scientific Journal
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Reappropriating Cultural Memory of the Preston Lock-Out: Can Animation Be Used to Refocus and Reposition Historical Events Using Historical Visual Archives?
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Heart of Gold: Fact and Mysticism in Documentary Form.
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The Total Filmmaker: Thinking of screenwriting, directing and editing as one role.
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Zen and the Art of Film Narrative: Towards a Transcendental Realism in Film.
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Local Comics Look at Taiwan.
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Travel, Cultural Hybridity and Transnational Connections in Taiwanese Graphic Narratives.
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Introduction to North: Volume Two.
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Visit: Xiancun Urban Village in Guangzhou.
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Re-claiming Greek national history in the GDR in the 1960s. The case of Pyrsos illustrated magazine.
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Binaural-Visual Avatars: live streaming binaural audio and video from a mobile point of audition/view.
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Kennedy Parr, Sarah Ann ORCID: 0000-0002-9770-1799
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BFI presents Funny Women get animated.
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Are animated women stuck in the fifties?
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IWD2020: Creative Women Profile.
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'British Animation Women and the Myth of Meritocracy.'
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Translation in Transition: The Cabinet of Curiosities.
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de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 and Palmer, Luke
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Squagle House, United Kingdom.
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Ruby Tuesday - An animation series for 13 year old girls with strong female role models.
[Artefact]
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Black on White, Exhibition, Gallery, Clwyd Theatr 2015.
[Artefact]
Parkinson, Mark Edmund ORCID: 0000-0001-8868-8564
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Nocturne, Fringe Arts Festival, Bath 2014.
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Aitken, John ORCID: 0000-0002-7261-1332 and Brake, Jane
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Promising Home.
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Architectures of Displacement – Guangzhou, China.
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Atkinson, Craig (2016) Café Royal Books: Repro Project. [Show/Exhibition]
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Orlando International Film Festival.
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Honestly it's the Story of My Life.
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World of Film International Festival Glasgow.
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Crufts (The Kennel Club) 2022-2026 Animated Titles.
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