Items where Subject is "W341 - Popular music"

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Atkinson, Peter James ORCID: 0000-0002-8638-9808 (2017) The Contrasting Soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars. Popular Music History, 10 (1). pp. 46-61. ISSN 1740-7133

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Barone, Stefano ORCID: 0000-0003-0437-9452 (2019) Electronic Dunes and Downtown Vibes. The Social Construction of an Underground Electro Scene in Tunisia. Popular Music and Society . ISSN 0300-7766

Barone, Stefano ORCID: 0000-0003-0437-9452 (2017) Feeling so Hood. Rap, lifestyles and the neighbourhood imaginary in Tunisia. British Journal of Middle Eastern Studies, 46 (1). pp. 88-103. ISSN 1353-0194

Barone, Stefano ORCID: 0000-0003-0437-9452 (2016) Fragile scenes, fractured communities: Tunisian Metal and sceneness. Journal of Youth Studies, 19 (1). pp. 20-35. ISSN 1367-6261

Barone, Stefano ORCID: 0000-0003-0437-9452 (2019) Metal, Rap, and Electro in post-revolutionary Tunisia. A Fragile Underground. Routledge Studies in Popular Music Series . Routledge, Oxon/New York. ISBN 978-1-138-48620-1

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Conduit, Susan Anne (2017) A Cultural Study Of Two-Tone In The Socio-Political And Economic Context Of The 1970s. Masters thesis, University of Central Lancashire.

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de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2020) Book Review: This Must Be The Place: an Architectural History of Popular Music Performance Venues. By Robert Kronenburg. New York: Bloomsbury, 2019. 286 pp. ISBN 9781501319280. Cambridge University Press, Popular Music.

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 and McNally, James (2021) HEADZ-zINe 'REGIONS-UK' BRISTOL HEADZ SPECIAL EDITION: Vol 1, Issue 3. HEADZ-zINe, 1 (3). Squagle House, United Kingdom.

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Gillon, Leslie ORCID: 0000-0003-2428-1866 (2020) Live Music Playbour: a Piece of the Puzzle. In: The Future of Live Music. Bloomsbury Publishing, New York. ISBN 9781501355882

Gillon, Leslie ORCID: 0000-0003-2428-1866 (2020) Nostalgia and Simulacra: Blackpool in Song. In: Blackpool in Film and Popular Music. Palgrave Macmillan, London, pp. 83-99. ISBN 978-3-030-49934-1

Gillon, Leslie ORCID: 0000-0003-2428-1866 (2018) Varieties of Freedom in Music Improvisation. Open Cultural Studies, 2 (1). pp. 781-789. ISSN 2451-3474

Gillon, Leslie ORCID: 0000-0003-2428-1866 and Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2018) The Missing Star of MC Tunes. In: Sounds Northern - Popular Music, Culture and Place in England’s North. Equinox Publishing, London, pp. 174-189. ISBN 9781781795712

Grebenar, Alex (2020) Lost in Music: Mapping the 21st Century House Music Event Experience. Journal of Policy Research in Tourism, Leisure and Events, 12 (3). pp. 363-381. ISSN 1940-7963

Gregory, Georgina ORCID: 0000-0002-7532-7484 (2020) 'She's My Little Deuce Coupe': Freudian Transformations in the Car Songs of The Beach Boys'. In: Popular Music and Automobiles. Bloomsbury Publishing. ISBN 9781501352324

Gregory, Georgina ORCID: 0000-0002-7532-7484 and Dines, Mike (2021) Exploring the Spiritual in Popular Music: Beatified Beats. Bloomsbury Studies in Religion and Popular Music . Bloomsbury Publishing. ISBN 9781350086944

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Kaufman, William ORCID: 0000-0002-5206-647X (2022) American Song and Struggle from Columbus to World War Two. Cambridge University Press, Cambridge and New York. ISBN 978-1-316-51433-7

Kaufman, William ORCID: 0000-0002-5206-647X (2021) 'The Civil Rights Movement'. In: The World of Bob Dylan. Cambridge University Press, Cambridge and New York, pp. 239-250. ISBN 9781108583398

Knight, David ORCID: 0000-0001-9766-6121 (2001) Dancehall. In: Companion to Contemporary Black British Culture. Routledge, USA and Canada, pp. 91-93. ISBN 0-415-16989-5 (hbk); 0-203-19499-7 (e-book); 0-415-86250-9 (pbk)

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Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2021) Between Sweden and the world: Documentary films about ABBA’s international success. Journal of Scandinavian Cinema, 11 (3). pp. 317-325. ISSN 2042-7891

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2017) Beyond Authenticity, Beyond Romanticism: Films about Maanam. IASPM@Journal, 7 (1). ISSN 2079-3871

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2017) Czesław Niemen: Between Enigma and Political Pragmatism. In: Popular Music in Eastern Europe Breaking the Cold War Paradigm. Pop Music, Culture and Identity . Palgrave Macmillan, London, pp. 243-264. ISBN 978-1-137-59272-9

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2018) Popular Viennese Electronic Music, 1990-2015: A Cultural History. Routledge. ISBN 9781138713918

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Partridge, Simon Benjamin ORCID: 0000-0002-7712-9940 (2017) Cold Bath Street - Return to the Atomic Age. [Audio] (Unpublished)

Plaice, Mark ORCID: 0000-0002-1030-7917 (2020) Introduction to the Special Section on ‘Korean Screen Cultures'. East Asian Journal of Popular Culture, 6 (2). pp. 219-222. ISSN SSN 2051-7084

Purves, Robin ORCID: 0000-0002-4614-0426 (2023) No Satisfaction: Aihiyō after The Rolling Stones. In: On Extremity: From Music to Images, Words and Experiences. Lexington Books, pp. 89-107. ISBN 978-1-66690-520-5

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Reisner, Latoya and Rymajdo, Kamila ORCID: 0000-0002-4842-7914 (2022) The 0161 rap gap: the marginalisation of Black rap musicians in Manchester's live music scene. Popular Music .

Rigg, Tony ORCID: 0000-0001-6507-253X and Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2018) The Adaptive Musician: The Case Study of Peter Hook and Graham Massey. In: Popular Music In The Post Digital Age; Politics, Economy, Culture and Technology [1st Edition]. Bloomsbury Publishing, New York. ISBN 9781501338397

Rymajdo, Kamila ORCID: 0000-0002-4842-7914 (2024) Polish Hip Hop at Home and Abroad: Return Migration in the Work of Taco Hemingway. Journal of World Popular Music, 10 (2). pp. 163-187. ISSN 2052-4900

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Scanlan, John ORCID: 0000-0003-2951-7823 (2022) Rock 'n' Roll Plays Itself: A Screen History. N/A . Reaktion Books, London. ISBN 9781789145724

Scanlan, John ORCID: 0000-0003-2951-7823 (2016) Sex Pistols: Poison in the Machine. Reaktion Books, London. ISBN 9781780237541

Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2019) Black Metal's Apophatic Curse. Theologiques, 26 (1). pp. 185-206. ISSN 1188-7109

Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2019) Revelation of a documentary triptych Defining metal through Some Kind of Monster, Anvil! The Story of Anvil and Beyond the Lighted Stage. In: Heavy Metal at the Movies. Ashgate Screen music series, 1 . Routledge. ISBN 9781138571594

Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2017) Svärtningen av grönskan. Aiolos, Tidskrift for Literatur Teori och Estetik: Svart Ekologi, 56 . pp. 91-99. ISSN 1400-7770

Scott, Niall William richard ORCID: 0000-0001-5120-4132, Barone, Stefano ORCID: 0000-0003-0437-9452, O'boyle, Thomas Timothy ORCID: 0000-0002-9912-7882, Milas, Alexander, Khatib, Lina and Rettalick, Joshua (2019) World Metal Congress, Rich Mix, Shoreditch, London 21-22 March 2019. Metal Music Studies, 5 (3). pp. 425-431. ISSN 2052-3998

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Titley, William David ORCID: 0000-0002-5594-1209 (2018) The Time Machine - A performative lecture for The Asia Triennial Manchester 2018. In: Who Do You think You Are?, 16 October 2018, Whitworth Art Gallery.

Titley, William David ORCID: 0000-0002-5594-1209 (2017) The Time Machine - BBC R6Music Interview ATM18. [Show/Exhibition] (Unpublished)

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Varas-Dias, Nelson and Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2016) Heavy Metal and the Communal Experience An Introduction. In: Heavy Metal and the Communal Experience. Rowman & Littlefield, Maryland USA, vi-xii. ISBN Hbk: 978-1-4985-0638-0 (August 2016); EBook: 978-1-4985-0639-7 (August 2016)