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Binns, Amy ORCID: 0000-0002-9173-3108 and Leaper, Hana
(2019)
Matrilineal inheritances through Modernism, Feminism & the Arts, from the Pageants of Noble Women and Famous Women dinner service to the present.
Decorating Dissidence
.
(Submitted)
Braithwaite, Phil ORCID: 0000-0002-8349-6448
(2018)
The Atom Room.
N/A.
(Unpublished)
Braithwaite, Phil ORCID: 0000-0002-8349-6448
(2021)
An Experiment in Space and Time: Remaking the Missing Doctor Who Episode ‘Mission to the Unknown’.
Journal of Popular Television, 9
(3).
pp. 315-333.
ISSN 2046-9861
Braithwaite, Phil ORCID: 0000-0002-8349-6448
(2014)
The Mercy Clause.
[Artefact]
Braithwaite, Phil ORCID: 0000-0002-8349-6448
(2018)
Swing Among the Stars.
In:
'Where Is Hope?' An Anthology of Short Climate Change Plays.
Centre for Sustainable Practice in the Arts, Toronto, pp. 91-96.
ISBN 978-1-77355-018-3
Braithwaite, Phil ORCID: 0000-0002-8349-6448
(2016)
The War Play.
N/A.
Braithwaite, Phil ORCID: 0000-0002-8349-6448
(2015)
War and Truth.
In:
Landfall.
Otago University Press, pp. 18-29.
ISBN 978 1 877578 91 5,
Froggett, Lynn ORCID: 0000-0001-8406-6231 and Ortega Breton, Hugh
ORCID: 0000-0001-6777-6522
(2020)
Building Resilience and Overcoming Adversity through Dance & Drama (BROAD) 2019 Research and Evaluation Report.
none.
(Unpublished)
Hampton-Reeves, Stuart (2015) States of the Nation: Henry VI, the London Olympics and the Spectacular City. In: Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year. Bloomsbury, London, pp. 79-100. ISBN 9781472520340
Knudsen, Erik (2010) Cinema of Poverty: Independence and Simplicity in an Age of Abundance and Complexity. Wide Screen, 2 (2). ISSN 1757-3920
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2014)
Eyes and Narrative Perspective On Story: A Practice-led Exploration of the Use of Eyes and Eye lines in Fiction Film.
Journal of Media Practice, 15
(1).
pp. 3-20.
ISSN 1468-2753
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2004)
The Eyes of the Beholder: does responsibility for the lack of quality screenplays really lie at the door of inadequately trained screenwriters?
Journal of Media Practice, 5
(3).
pp. 181-186.
ISSN 1468-2753
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2007)
Heart of Gold: Fact and Mysticism in Documentary Form.
Journal of Media Practice, 8
(1).
49 - 61.
ISSN 1468-2753
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2016)
The Total Filmmaker: Thinking of screenwriting, directing and editing as one role.
New Writing: The International Journal for the Practice and Theory of Creative Writing, 13
(1).
pp. 109-129.
ISSN 1479-0726
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2008)
Transcendental Realism in Documentary.
In:
Rethinking Documentary: new perspectives and practices.
UK Higher Education OUP Humanities & Social Sciences Media, Film & Cultural Studies
.
Open University Press, McGraw Hill, UK, pp. 108-120.
ISBN 978-0335221912
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2010)
Zen and the Art of Film Narrative: Towards a Transcendental Realism in Film.
Journal of Screenwriting, 1
(2).
343 - 355.
ISSN 1759-7137
Lee, Daniel Richard and Palmer, Clive Alan ORCID: 0000-0001-9925-2811
(2019)
The Nelson Boys.
Dane Valley Press, Cheshire.
ISBN 978-1-9161075-0-2
Saxon, Theresa ORCID: 0000-0002-2129-2570
(2020)
Ira Aldridge in the North of England: Provincial Theatre and the Politics of Abolition.
In:
Britain's Black Past.
Liverpool University Press, Liverpool, pp. 275-293.
ISBN 978-1-789-62161-7
Saxon, Theresa ORCID: 0000-0002-2129-2570 and Merrill, Lisa
(2020)
African Americans on the (Post) Reconstruction Stage.
In:
American Literature 1880-1900.
Cambridge University Press, Cambridge.
(In Press)
Tunstall, Darren (2012) Shakespeare and the Lecoq Tradition. Shakespeare Bulletin, 30 (4). pp. 469-484. ISSN 0748-2558