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Binns, Amy ORCID: 0000-0002-9173-3108 and Leaper, Hana (2019) Matrilineal inheritances through Modernism, Feminism & the Arts, from the Pageants of Noble Women and Famous Women dinner service to the present. Decorating Dissidence . (Submitted)

Braithwaite, Phil ORCID: 0000-0002-8349-6448 (2018) The Atom Room. N/A. (Unpublished)

Braithwaite, Phil ORCID: 0000-0002-8349-6448 (2021) An Experiment in Space and Time: Remaking the Missing Doctor Who Episode ‘Mission to the Unknown’. Journal of Popular Television, 9 (3). pp. 315-333. ISSN 2046-9861

Braithwaite, Phil ORCID: 0000-0002-8349-6448 (2014) The Mercy Clause. [Artefact]

Braithwaite, Phil ORCID: 0000-0002-8349-6448 (2018) Swing Among the Stars. In: 'Where Is Hope?' An Anthology of Short Climate Change Plays. Centre for Sustainable Practice in the Arts, Toronto, pp. 91-96. ISBN 978-1-77355-018-3

Braithwaite, Phil ORCID: 0000-0002-8349-6448 (2016) The War Play. N/A.

Braithwaite, Phil ORCID: 0000-0002-8349-6448 (2015) War and Truth. In: Landfall. Otago University Press, pp. 18-29. ISBN 978 1 877578 91 5,

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Froggett, Lynn ORCID: 0000-0001-8406-6231 and Ortega Breton, Hugh ORCID: 0000-0001-6777-6522 (2020) Building Resilience and Overcoming Adversity through Dance & Drama (BROAD) 2019 Research and Evaluation Report. none. (Unpublished)

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Hampton-Reeves, Stuart (2015) States of the Nation: Henry VI, the London Olympics and the Spectacular City. In: Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year. Bloomsbury, London, pp. 79-100. ISBN 9781472520340

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Knudsen, Erik (2010) Cinema of Poverty: Independence and Simplicity in an Age of Abundance and Complexity. Wide Screen, 2 (2). ISSN 1757-3920

Knudsen, Erik ORCID: 0000-0001-8361-6975 (2014) Eyes and Narrative Perspective On Story: A Practice-led Exploration of the Use of Eyes and Eye lines in Fiction Film. Journal of Media Practice, 15 (1). pp. 3-20. ISSN 1468-2753

Knudsen, Erik ORCID: 0000-0001-8361-6975 (2004) The Eyes of the Beholder: does responsibility for the lack of quality screenplays really lie at the door of inadequately trained screenwriters? Journal of Media Practice, 5 (3). pp. 181-186. ISSN 1468-2753

Knudsen, Erik ORCID: 0000-0001-8361-6975 (2007) Heart of Gold: Fact and Mysticism in Documentary Form. Journal of Media Practice, 8 (1). 49 - 61. ISSN 1468-2753

Knudsen, Erik ORCID: 0000-0001-8361-6975 (2016) The Total Filmmaker: Thinking of screenwriting, directing and editing as one role. New Writing: The International Journal for the Practice and Theory of Creative Writing, 13 (1). pp. 109-129. ISSN 1479-0726

Knudsen, Erik ORCID: 0000-0001-8361-6975 (2008) Transcendental Realism in Documentary. In: Rethinking Documentary: new perspectives and practices. UK Higher Education OUP Humanities & Social Sciences Media, Film & Cultural Studies . Open University Press, McGraw Hill, UK, pp. 108-120. ISBN 978-0335221912

Knudsen, Erik ORCID: 0000-0001-8361-6975 (2010) Zen and the Art of Film Narrative: Towards a Transcendental Realism in Film. Journal of Screenwriting, 1 (2). 343 - 355. ISSN 1759-7137

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Lee, Daniel Richard and Palmer, Clive Alan ORCID: 0000-0001-9925-2811 (2019) The Nelson Boys. Dane Valley Press, Cheshire. ISBN 978-1-9161075-0-2

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Saxon, Theresa ORCID: 0000-0002-2129-2570 (2020) Ira Aldridge in the North of England: Provincial Theatre and the Politics of Abolition. In: Britain's Black Past. Liverpool University Press, Liverpool, pp. 275-293. ISBN 978-1-789-62161-7

Saxon, Theresa ORCID: 0000-0002-2129-2570 and Merrill, Lisa (2020) African Americans on the (Post) Reconstruction Stage. In: American Literature 1880-1900. Cambridge University Press, Cambridge. (In Press)

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Tunstall, Darren (2012) Shakespeare and the Lecoq Tradition. Shakespeare Bulletin, 30 (4). pp. 469-484. ISSN 0748-2558