Homing

Abstract

Homing is a sound art work created by artists Jen Southern and Sam Thulin with the Media Innovation Studio at the University of Central Lancashire. The experience begins at the Roll of Honour in the Harris Museum & Art Gallery and moves out onto the Flag Market and the Cenotaph. The work is accessed through headphones.

Homing uses sound to make connections at a distance; between presence and absence, people and place, displacement and home.

The work is based on the original letters of Preston soldiers serving in the front line trenches of World War 1, taken from the archives of Lancashire Infantry Museum. The letters are testament to the attempts of soldiers and their loved ones to keep in touch despite the distances and atrocities of the war. The distance was not only physical; the longer the war continued the greater the distance in life experience between soldiers and those at home. Each letter represents an attempt to bridge that gap and, as much as is said, more is left unsaid or is unsayable.

At the Roll of Honour, a sound composition from the cemeteries at the Somme can be heard, with all the sensory qualities of the local conditions; wind, rain, whistling, stonework. Out on the Flag Market, these sounds give way to fragments of stories from the men in the trenches; a stilted marriage proposal, an enquiry about health, a thank you for kippers sent through the post, a description of daily conditions and accounts of the terrible realities of the conflict.

Approaching the Cenotaph, the soldiers’ words are disrupted by ever intensifying GPS interference. This distant, targeting technology of modern day warfare, creates a sonic fog through which individual voices can no longer be heard, reflecting the difficulty of communication through the constant battle between signal and noise.

Homing contrasts the modes of communication used in WW1 and contemporary war. Voices from the harrowing fight on the front collide with the current technology that emphasises accuracy, immediacy and removal of the body from warfare, but that cannot know the context on the ground.