Atkinson, Peter James ORCID: 0000-0002-8638-9808 (2017) Producing Habitus: ITV Soap Operas and the ‘Northern Powerhouse’. In: Heading North. Palgrave Macmillan, London, pp. 151-171. ISBN 978-3-319-52499-3
Braithwaite, Phil ORCID: 0000-0002-8349-6448 (2023) Time Lords and Star Cops: British Science Fiction Television in the 1970s-80s. Manchester University Press (MUP), UK. ISBN 978-1-5261-6336-3
Brayard, Frederic (2022) Pour un cinéma d'après la nature: Jacques Perconte et l'art du retrait. In: Expanded Nature: Eccologies du cinéma expérimental. Light Cone Editions, Paris, pp. 115-121. ISBN 978-2-490750-10-8
Broadey, Andrew ORCID: 0000-0003-2916-0115 (2023) Montage after Navigation. Arts, 12 (3).
Chang, Ti-Han ORCID: 0000-0003-1324-2992 (2023) Climate Refugees or Future Migrant Labour Force: a Decolonial critique of Matthieu Rytz’s Anote’s Ark (2018) and Climate Displacement discourse in the Pacific. International Journal of Asia Pacific Studies, 19 (2). pp. 1-30. ISSN 1823-6243
Cobden, Samantha Jayne (2018) Gamic Cinema and Narrative Space in Run Lola Run and Gamer. Masters thesis, University of Central Lancashire.
Cook, Clare Elizabeth ORCID: 0000-0001-5063-6013 (2016) Enabling geospatial hyperlocal news networks with a remote village connectivity system. [Video]
Dai, Yutong (2024) An Analysis of Bernardo Bertolucci’s The Dreamers from a Symbolist Perspective. SHS Web of Conferences, 183 . 03012.
De Jong, Wilma, Rothwell, Jerry and Knudsen, Erik ORCID: 0000-0001-8361-6975 (2011) Creative Documentary: theory and practice. Routledge. ISBN 9781405874229
Fitter, Bruce (2016) VR and the death of the screen plane. In: 5th International Conference on 3D Imaging, IC3D 2015, 14 - 15 December 2015, Liege; Belgium. (Unpublished)
Hanzlík, Jan and Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2022) Eastern European film festivals: streaming through the covid-19 pandemic. Studies in Eastern European Cinema, 13 (1). pp. 38-55. ISSN 2040-350X
Hughes, Alan Edmund (2017) Looking West, not South: The Anglo-American Films Agreement and the North on film, 1948 - 1958. In: Heading North: The North of England in Film and Television. Palgrave Macmillan, London, pp. 215-234. ISBN 978-3-319-52499-3
Hughes, Alan Edmund (2018) The North of England in British Fiction Feature Film, 1927 – 2000. Doctoral thesis, University of Central Lancashire.
Hughes, Alan Edmund (2016) The North of England in British Wartime Film, 1941 - 1946. In: Mapping Cinematic Norths: International Interpretations in Film and Television. New Studies in European Cinema . Peter Lang. ISBN 978-3-0343-1895-2
Jamrozik, Żaneta (2022) An Officer and a Spy: Roman Polanski in the Benjaminian Interior. Studies in Eastern European Cinema . pp. 1-22. ISSN 2040-350X
Kennedy Parr, Sarah ORCID: 0000-0002-9770-1799 (2017) Female Figures. A discussion at the London International Animation Festival 2017. In: London International Animation Festival, 6th December 2017, Barbican London. (Unpublished)
Kennedy Parr, Sarah Ann ORCID: 0000-0002-9770-1799 (2018) BFI presents Funny Women get animated. In: BFI 2018 Animated Women Get funny, March 2018, National Film Theatre London. (Unpublished)
Kennedy Parr, Sarah Ann ORCID: 0000-0002-9770-1799 (2019) British Animation Women Breaking The Mold. [Video]
Kennedy Parr, Sarah Ann ORCID: 0000-0002-9770-1799 (2017) Honestly it's the Story of My Life. [Video]
Kennedy, Sarah ORCID: 0000-0002-9770-1799 (2018) Animated Britain. In 2018 the BFI selected some key seminal animated works to be screened as part of a new British Animation programme which will be available online on the BFI player and is also touring cinemas in the UK. Sarah Ann Kennedy's film 'Honestly it's the story of my life.' has been included in these works. [Video]
Kennedy, Sarah Ann ORCID: 0000-0002-9770-1799 (2018) Bolton International Film Festival - Animation strand hosted by Sarah Ann Kennedy Parr. In: Bolton International Film Festival, 2-4th October 2018, Bolton. (Unpublished)
Kennedy, Sarah Ann ORCID: 0000-0002-9770-1799 (2016) Does the Current British Higher Education system really prepare graduate animation students for a developing and changing industry? European Scientific Journal . ISSN 1857-7881
Kennedy, Sarah Ann ORCID: 0000-0002-9770-1799 (2014) Why is the straight 'man' in animation usually a woman? In: Society of Animation Studies, 16th - 19th June 2014, Toronto. (Unpublished)
Kennedy, Sarah Ann ORCID: 0000-0002-9770-1799 (2014) Women are funny too! In: Popular Culture Conference, 16th - 19th April 2014, Chicago, USA. (Unpublished)
Kennedy, Sarah Ann ORCID: 0000-0002-9770-1799 and Bor, Simon (2018) Sustaining UK Animation. In: The Children's Media Conference, 3-5 July 2018, Sheffield.
Knudsen, Erik ORCID: 0000-0001-8361-6975 (2019) Cleft Lip. [Video]
Knudsen, Erik ORCID: 0000-0001-8361-6975 (2017) Doubt. [Video]
Knudsen, Erik ORCID: 0000-0001-8361-6975 (2018) Finding The Personal Voice In Filmmaking. Palgrave Macmillan, London. ISBN 978-3-030-00377-7
Knudsen, Erik ORCID: 0000-0001-8361-6975 (2015) In Waiting. [Video]
Knudsen, Erik ORCID: 0000-0001-8361-6975 (2018) Method In Madness - a case study in practice research methods. In: Screen Production Research: Creative Practice as a mode of enquiry. Taylor and Francis. ISBN 978-3-319-62836-3
Knudsen, Erik ORCID: 0000-0001-8361-6975 (2015) The Raven On The Jetty. [Video]
Knudsen, Erik ORCID: 0000-0001-8361-6975 (2010) The Silent Accomplice. [Video]
Marklund, Anders and Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2021) Introduction. Journal of Scandinavian Cinema, 11 (3). pp. 293-295. ISSN 2042-7891
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2021) Between Sweden and the world: Documentary films about ABBA’s international success. Journal of Scandinavian Cinema, 11 (3). pp. 317-325. ISSN 2042-7891
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2017) Beyond Authenticity, Beyond Romanticism: Films about Maanam. IASPM@Journal, 7 (1). ISSN 2079-3871
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2020) Blackpool in Film and Popular Music. Palgrave Macmillan. ISBN 978-3-030-49935-8
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2023) (Book Review) A Concise History of Slovak Cinema: Alphabet of Slovak Cinema 1921–2021, ed. Martin Kaňuch, Jelena Paštéková and Radislav Steranka, Slovak Film Institute, 2022, ISBN 978-80-85187-95-3. Taylor and Francis.
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2024) Canons of Polish cinema and the place of Polish films in global film canons. Studies in Eastern European Cinema . ISSN 2040-350X
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2023) Documentary Films About Polish Transformation from State Socialism to Capitalism. Panoptikum (30). pp. 62-80. ISSN 1730-7775
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2022) Editorial. Taylor and Francis.
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2024) Editorial. Taylor and Francis.
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2018) From a lady to a lost ‘Prole’: Girls in the city in Polish cinema of the 1960s and early 1970s. Film, Fashion & Consumption, 7 (2). pp. 115-130. ISSN 2044-2823
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2022) From self-colonisation to conquest in Eastern European postcommunist musicals. Studies in European Cinema . ISSN 1741-1548
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2022) A Hole in the Head: Between Theatre and Cinema. In: Intermediális találkozások. Scientia Kiadó, pp. 171-175.
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2017) Introduction: Imagining the North of England. In: Heading North: The North of England in Film and Television. Palgrave Macmillan, pp. 1-35. ISBN 978-3-319-52500-6
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2023) The Meanders of Populism in Polish Cinema. In: The Abstract Book of the International Conference Populism in National and Global Media. Vilnius University Press, pp. 10-11. ISBN 978-609-07-0998-6
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2021) Mr. Kleks in space: science fiction for the end of state socialism. Studies in Eastern European Cinema, 12 (1). pp. 83-94. ISSN 2040-350X
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2024) Music and dance in the service of modern Poland in Polish films of the 1930s. In: The Routledge Companion to Global Film Music in the Early Sound Era. Routledge, New York, pp. 245-255. ISBN 9780429504471
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2023) Nabokov Noir: cinematic culture and the art of exile by Luke Parker, Ithaca NY, Cornell University Press, 2022, 288 pp., illustrations, (hbk $ 47.95), ISBN 9781501766527. Taylor and Francis.
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2018) Not knowing has intimately Intimations: The Cinema of Wojciech Has, by Annette Insdorf [Book Reivew]. Studies in Eastern European Cinema, 9 (2). ISSN 2040-350X
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2022) Polish Modernization in Biographical Films of the 2010s. Załącznik Kulturoznawczy (9). pp. 733-757.
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2022) The Portrayal of Musicians in Dyrygent (The Orchestra Conductor, 1979), directed by Andrzej Wajda and Dotknięcie ręki (The Silent Touch, 1992) by Krzysztof Zanussi. La figure du musicien au cinéma – Partie 2, 16 . pp. 75-88. ISSN 2260-7838
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2021) Representation of Young People in British Films Set in Coastal Resorts. Hungarian Journal of English and American Studies, 27 (1). ISSN 1217-0283
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2016) Representation of “Gaming Capitalism” in Avalon and Gamer. In: Red Alert: Marxist Approaches to Science Fiction Cinema. Contemporary Approaches to Film and Media Series . Wayne State University Press (WSU Press), Detroit, pp. 179-201. ISBN 9780814340127
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2023) The Sight and Sound Poll and Eastern European Cinema. Studies in Eastern European Cinema . pp. 1-4. ISSN 2040-350X
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2017) Signs matter. Short Film Studies, 7 (1). pp. 97-100. ISSN 2042-7824
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2024) Singing One’s Life: Biopics of Edith Piaf and Dalida. Panoptikum (31). pp. 32-52. ISSN 1730-7775
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2020) World Cinema, Third Cinema. Studies in World Cinema . ISSN 2665-9883
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2024) The transformation of the figure of a maid in three adaptations of The Diary of a Chambermaid by Octave Mirbeau. Journal of Adaptation in Film & Performance, 17 (1). pp. 59-77. ISSN 1753-6421
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Kristensen, Lars Lyngsgaard Fjord (2020) Third Cinema, World Cinema and Marxism. Bloomsbury Publishing, USA. ISBN 9781501348273
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Rymajdo, Kamila ORCID: 0000-0002-4842-7914 (2017) The North and Europe in 24 Hour Party People and Control. In: Heading North The North of England in Film and Television. Palgrave Macmillan, London, pp. 236-255. ISBN 978-3-319-52500-6
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Suppia, Alfredo (2016) Capitalism and wasted lives in District 9 and Elysium. In: Red Alert Marxist Approaches to Science Fiction Cinema. Contemporary Approaches to Film and Media Series . Wayne State University Press (WSU Press), pp. 121-148. ISBN 9780814340110
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Suppia, Alfredo (2016) Red Alert: Marxist Approaches to Science Fiction Cinema. Contemporary Approaches to Film and Media Series . Wayne State University Press (WSU Press), Detroit. ISBN 9780814340127
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Šukaitytė, Renata (2020) Representation of poverty in Polish, Lithuanian and Latvian documentary films of the post-communist period. Studies in Eastern European Cinema, 11 (1). pp. 67-81. ISSN 2040-350X
Mcdonald, Andrew ORCID: 0000-0001-9689-2565 (2022) A handbag, a bus in the desert, a glass of milk, the wings of a windmill, a hairbrush. [Show/Exhibition]
Middleton, David Antony (2024) What’s The Story: Adapting Mike Leigh’s Improvisational Approach to Character, Narrative and Text for the Development of Comedy Film Scripts Online. Doctoral thesis, University of Central Lancashire.
Mihalopoulos, Bill ORCID: 0000-0001-6112-6094 (2019) Documenting a People yet to Be Named: The History of a Bar Hostess. Arts, 8 (44). ISSN 2076-0752
Mihalopoulos, Bill ORCID: 0000-0001-6112-6094 (2017) Imamura Shōhei: Betwixt fiction and documentary − an introduction. Asian Cinema, 28 (1). pp. 93-100. ISSN 1059-440X
Mihalopoulos, Bill ORCID: 0000-0001-6112-6094 (2019) Time out of Joint: Shohei Imamura and the Search for an "Other Japan". In: Killers, Clients and Kindred Spirits: The Taboo Cinema of Shohei Imamura. University of Edinburgh, Edinburgh, pp. 229-245. ISBN 9781474411813
Panagopoulos, Iakovos ORCID: 0000-0001-9052-514X (2019) Flickering Souls Set Alight (2019). University of Central Lancashire (UCLan), Preston, Lancashire.
Panagopoulos, Iakovos ORCID: 0000-0001-9052-514X (2018) A Quest for Eternity 2018. University of Central Lancashire (UCLan), Preston, Lancashire.
Panagopoulos, Iakovos ORCID: 0000-0001-9052-514X (2017) Theo Angelopoulos: " A voyage in history, time and space ". In: History, Story, Narrative, July 11-12 2017, Brighton.
Panagopoulos, Iakovos ORCID: 0000-0001-9052-514X, Chapman, Andy and Mineo, Giuseppe (2017) A Still Sunrise 2017. University of Central Lancashire (UCLan), Preston, Lancashire.
Plaice, Mark ORCID: 0000-0002-1030-7917 (2020) Introduction to the Special Section on ‘Korean Screen Cultures'. East Asian Journal of Popular Culture, 6 (2). pp. 219-222. ISSN SSN 2051-7084
Plaice, Mark R ORCID: 0000-0002-1030-7917 (2020) Domesticating Gangsters? Home/work conflicts in South Korean family drama gangster film. East Asian Journal of Popular Culture, 6 (2). pp. 275-292. ISSN 2051-7084
Scanlan, John ORCID: 0000-0003-2951-7823 (2009) Gambling in Mythical Temporality: Ontological Excess and Virtual Reality. International Political Anthropology, 2 (2). pp. 179-195. ISSN 1974-7268
Scanlan, John ORCID: 0000-0003-2951-7823 (2022) Rock 'n' Roll Plays Itself: A Screen History. N/A . Reaktion Books, London. ISBN 9781789145724
Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2014) The Monstrous Metallic in Medicine and Horror Cinema. MEDICINA NEI SECOLI ARTE E SCIENZA, Journal of History of Medicine, 26 (1). pp. 313-332. ISSN 0394-9001
Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2019) Revelation of a documentary triptych Defining metal through Some Kind of Monster, Anvil! The Story of Anvil and Beyond the Lighted Stage. In: Heavy Metal at the Movies. Ashgate Screen music series, 1 . Routledge. ISBN 9781138571594
Shōhei, Imamura (2017) Betwixt fiction and documentary. Asian Cinema, 28 (1). pp. 101-105. ISSN 1059-440X
Walters, Thomas (2023) Foreigners’ Portrayal in Russian Film over 1924-53 and 1991-Present. Masters thesis, University of Central Lancashire.
Zemanek, Adina Simona ORCID: 0000-0002-7960-8646 (2016) On Powerlessness, the Taike, the Trite and the Mundane: Monga and Non-Élite Taiwaneseness. In: The 13th Annual Conference of the European Association of Taiwan Studies “Power and the Powerless”, 30th March - 1 April 2016, Czech Academy of Sciences, Prague. (Unpublished)
Zemanek, Adina Simona ORCID: 0000-0002-7960-8646 (2015) Taiwan's “Difficult Heritage”: Native Taiwanese and National Identity in Wu Nianzhen's A Borrowed Life. In: “Niewygodne dziedzictwo kulturowe? Dziedzictwo kulturowe mniejszości narodowych, etnicznych i religijnych w przestrzeni publicznej. Mity, ideologie, de(re)konstrukcje” (Inconvenient Cultural Heritage? Cultural Heritages of National, Ethnic and Religious M, 27-29 May 2015, Jagiellonian University in Krakow. (Unpublished)
Zemanek, Adina Simona ORCID: 0000-0002-7960-8646 (2017) Taiwaneseness revisited: Lasting themes and new trends in contemporary popular culture. East Asian Journal of Popular Culture, 3 (2). pp. 139-152. ISSN 2051-7084
Zemanek, Adina Simona ORCID: 0000-0002-7960-8646 (2024) Taiyupian as Vernacular Modernism: Material Culture, Home Spaces and Taiwan as a Home. In: Taiwanese-Language Cinema: Rediscovered and Reconsidered. Edinburgh University Press (EUP). ISBN 9781399527880