Adams, Iain Christopher and Hughson, John Ewing ORCID: 0000-0002-7030-4806 (2013) 'The first ever anti-football painting'? A consideration of the soccer match in John Singer Sargent's Gassed. Soccer & Society, 14 (4). pp. 502-514.
Adams, Iain Christopher and Hughson, John Ewing ORCID: 0000-0002-7030-4806 (2013) The first ever anti-football painting: A consideration of the soccer match in John Singer Sargent’s "Gassed". Soccer & Society, 14 (4). pp. 502-514. ISSN 1466-0970
Rice, Alan ORCID: 0000-0002-2215-4727 (2020) Jade Montserrat’s Fugitive Traces and Earth-Splattered Bodies: Making African Atlantic Homespace in Alien Environments Then and Now (1758–2018). Kalfou: A Journal of Comparative and Relational Ethnic Studies, 7 (1). pp. 75-87. ISSN 2151-4712
Ross, Heather ORCID: 0000-0002-1306-8683 (2018) Towards an Archaeology of Gesture in Kurt schwitters’ ‘Pointless’ Collage (or how I ‘learned’ about schwitters’ work through painting leftovers). JAWS: Journal of Arts Writing by Students, 4 (2). pp. 107-120. ISSN 2055-2823
Eyene, Christine (2015) Yinka Shonibare: La Méduse. In: Building a Collection. Nouveau Musée National de Monaco (NMNM), Monaco, pp. 145-146. ISBN 9782954713953
Scanlan, John ORCID: 0000-0003-2951-7823 (2023) ‘Waste / Art’. In: Throwaway: The History of a Modern Crisis. Publications Office of the European Union, Luxembourg, pp. 126-143. ISBN 978-92-846-9639-0
Stawarska-Beavan, Magda ORCID: 0000-0002-8893-9068, Himid, Lubaina, Eyene, Christine and Wellen, Michael (2021) Composing with Paint and Sound, Contribution to chapter in Lubaina Himid book edited by Michael Wellen. In: Lubaina Himid. Tate Publishing, London, pp. 117-145. ISBN 978-1-84976-748-4
Hill, Tracy ORCID: 0000-0002-6218-4242 (2016) International Printmaking Forum. In: Contemporary Printmakers forum, Dec 2016, The Lock Up, Newcastle NSW. (Unpublished)
Hill, Tracy ORCID: 0000-0002-6218-4242 and Robinson, Sarah (2019) TINAS - Enhancing or Removing our Embodied Place in the World through contemporary art practice. In: TINAS, 22nd August 2019, Edith Cowen University Perth WA. (Unpublished)
Stawarska-Beavan, Magda ORCID: 0000-0002-8893-9068, Himid, Lubaina and Chesney, Rebecca (2019) NEW CONVERSATIONS ABOUT TIME AND PLACE Panel Discussion at Newlyn Art Gallery Magda Stawarska-Beavan, Rebecca Chesney and Lubaina Himid. In: NEW CONVERSATIONS ABOUT TIME AND PLACE Panel Discussion at Newlyn Art Gallery, 25/05/2019, Newlyn Art Gallery, Cornwall.
Atkinson, Craig (2014) Index. Café Royal Books. Café Royal Books, Southport. ISBN 978-0-9575867-1-0
Atkinson, Craig (2016) Lines & Tape — Hervé Tullet. Café Royal Books, Southport.
Constable, Philip ORCID: 0000-0001-9234-1408 (2020) The Cycle of Life in the Paintings of Thai Artist Pichai Nirand. Silkworm Books, Chang Mai. ISBN 978-616-215-155-2
Himid, Lubaina, Stawarska-Beavan, Magda ORCID: 0000-0002-8893-9068, Hill, Tracy ORCID: 0000-0002-6218-4242, Chesney, Rebecca, Hughes, Beth, Corfe, Clarissa and Elkin, Lauren (2024) A Fine Toothed Comb. Cornerhouse Publications, HOME Manchester. ISBN 978-1-9993720-4-0
Mackintosh, David ORCID: 0000-0002-6737-3413 and Holman, Martin (2011) The Curtain. Chapter Gallery, Cardiff. ISBN 978-1-900029-32-2
Mackintosh, David ORCID: 0000-0002-6737-3413 and Morrissey, Simon (2007) Imagine you're in a room full of blind fools desperately grasping at nothing. Aye-Aye Books, Manchester. ISBN 978-0-9556540-0-8
Scanlan, John ORCID: 0000-0003-2951-7823 (2016) Sex Pistols: Poison in the Machine. Reaktion Books, London. ISBN 9781780237541
Titley, William David ORCID: 0000-0002-5594-1209 (2014) Lancashire to Lahore 15 - Publication 'INSPIRE'. Café Royal Books, Southport, UK..
de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 and Palmer, Luke (2021) LOCKDOWN COLLABORATIONS. Squagle House, United Kingdom. ISBN 978-1-5272-9745-6
Alker, David ORCID: 0000-0001-6504-2381 (2018) The 17th Century Landscape Painting 2. [Artefact]
Alker, David ORCID: 0000-0001-6504-2381 (2017) The 17th Century Landscape Painting/ VASA Project. [Artefact]
Clarke, Pete and Gartz, Georg (2008) Rheinwarts - retrospective exhibition of ten years work, collaborative painting project. [Artefact]
Dyson, James (2017) Vacancy Rash: Exhibited work mapping the extent of vacant land and buildings in a Northern town. [Artefact]
Himid, Lubaina (2012) Kangas from the lost sample book. [Artefact]
Parkinson, Mark Edmund ORCID: 0000-0001-8868-8564 (2015) Creekside Open 2015. [Artefact]
Parkinson, Mark Edmund ORCID: 0000-0001-8868-8564 (2015) Painted Surface. [Artefact]
Parkinson, Mark Edmund ORCID: 0000-0001-8868-8564 (2017) Something Blue, Cultivate, Opened 08/08/2017. [Artefact]
Alker, David ORCID: 0000-0001-6504-2381 (2015) Modern History Volume 1. [Show/Exhibition]
Alker, David ORCID: 0000-0001-6504-2381 and Liddell, Peter (2009) Paintwork #3; Pop Musik und Kunst. [Show/Exhibition]
Atkinson, Craig (2016) Café Royal Books: Repro Project. [Show/Exhibition]
Clarke, Pete (2009) 'Looking Back: Facing Forward: Mistakes and Metaphors'Exhibition Catalogue Pete Clarke Victoria Gallery and Museum, University of Liverpool Gallery. [Show/Exhibition]
Clough, Matthew and Pete, Clarke (2009) 'Looking Back, Facing Forward: Mistakes and Metaphors'. [Show/Exhibition]
Himid, Lubaina (2017) The Art of Dissonance Part of UK/Korea 2017-18 Creative Futures. [Show/Exhibition]
Himid, Lubaina (2018) 'Breaking in, Breaking out, Breaking up, Breaking down’ Director's Programme Exhibition in Glasgow International 2018,Kelvingrove Art Gallery and Museum. Commissioned by Glasgow International. Supported by the Henry Moore Foundation. [Show/Exhibition]
Himid, Lubaina (2018) 'Collars and Cuffs’ Installation as Part Of At A Woman’s Place at Knole 2018. [Show/Exhibition]
Himid, Lubaina (2016) Dreaming has a Share in History : New Kangas from the Archive. [Show/Exhibition]
Himid, Lubaina (2014) 'Fashionable Marriage' installation (1986) in a group exhibition - Keywords: Art, Culture and Society in 1980s Britain. [Show/Exhibition]
Himid, Lubaina (2015) Feast Wagons. [Show/Exhibition]
Himid, Lubaina (2014) Gwangju Biennale – Burning Down the House. [Show/Exhibition]
Himid, Lubaina (2018) Hard Times, The Harris Museum and Art Gallery Preston. [Show/Exhibition]
Himid, Lubaina (2017) Invisible Strategies. [Show/Exhibition]
Himid, Lubaina (2017) Invisible Strategies Modern Art Oxford. 2017 (solo). [Show/Exhibition]
Himid, Lubaina (2018) Lubaina Himid, "Gifts to Kings", vue de l’exposition au Mrac, Sérignan, France 2018 (solo). [Show/Exhibition]
Himid, Lubaina (2017) Navigation Charts. [Show/Exhibition]
Himid, Lubaina (2017) Navigation Charts exhibition at Spike Island, Bristol. [Show/Exhibition]
Himid, Lubaina (2018) Our Kisses are Petals, Exhibition at Baltic, Baltic, Gateshead, 2018. [Show/Exhibition]
Himid, Lubaina (2017) The Place Is Here, Nottingham Contemporary. [Show/Exhibition]
Himid, Lubaina (2017) THE TRUTH IS NEVER WATERTIGHT, Badischer Kunstverein, Karlsruhe, Germany, 2017. [Show/Exhibition]
Himid, Lubaina (2018) 'The Tenderness Only We Can See' Hollybush Gardens, London 2018. [Show/Exhibition]
Himid, Lubaina (2017) Turner Prize exhibition 2017 Ferrens Art Gallery. [Show/Exhibition]
Himid, Lubaina (2017) WARP AND WEFT, Firstsite, Colchester, 2017. [Show/Exhibition]
Stawarska-Beavan, Magda ORCID: 0000-0002-8893-9068 and Himid, Lubaina (2021) Airmail Letter: Notes on a Blue Grid Test as part of Lubaina Himid: Water has a perfect memory, Hollybush Garden, London 4 March – 14 April 2022. [Show/Exhibition]
Stawarska-Beavan, Magda ORCID: 0000-0002-8893-9068, Himid, Lubaina and Chesney, Rebecca (2019) INVISIBLE NARRATIVES -NEW CONVERSATIONS ABOUT TIME AND PLACE exhibition at Newlyn Art Gallery. [Show/Exhibition]
Stawarska-Beavan, Magda ORCID: 0000-0002-8893-9068, Himid, Lubaina, Chesney, Rebecca and Yamamoto, Keiko (2021) Invisible Narratives² Exhibition at Yamamoto Keiko Rochaix 22nd May -19th June 2021. [Show/Exhibition]
Titley, William ORCID: 0000-0002-5594-1209 (2010) Lancashire to Lahore - Exhibition 1. [Show/Exhibition]
Hogan, John (2035) The Cleansing (Purge the sins). [Image]
Hogan, John (2023) Fun land. [Image]
Hogan, John (2023) Pseudo omnipotence. [Image]
Hogan, John (2023) War Crime. Oil on canvas. 4.5x4.5'. [Image]