Items where Subject is "W300 - Music"

Article

Artamonova, Elena ORCID: 0000-0002-2221-1955 (2023) Rudolf Barshai: The Path of a Violist and His Viola Arrangements. Journal of the American Viola Society (JAVS), 39 (Summer). pp. 11-19. ISSN 0898-5987

Aveyard, Jon ORCID: 0000-0002-0063-6848 and Wilkinson, Dan ORCID: 0000-0003-1747-888X (2018) Third City 2017: Improvisational Roles in Performances Using Live Sampling. Open Cultural Studies, 2 (1). pp. 562-573. ISSN 2451-3474

Gillon, Leslie ORCID: 0000-0003-2428-1866 (2018) Varieties of Freedom in Music Improvisation. Open Cultural Studies, 2 (1). pp. 781-789. ISSN 2451-3474

Gregory, Georgina ORCID: 0000-0002-7532-7484 (2017) Rocking against patriarchy: Single-sex solutions for female musicians. Journal of Popular Music Education, 1 (2). pp. 183-197. ISSN 2397-6721

Ingham, James ORCID: 0000-0001-8477-3147 (2024) Landings: The moor and the ecological therapeutic practice of Richard Skelton. Area, 56 (2). ISSN 0004-0894

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2016) From South to East: Exoticism in Polish popular music of the state socialist period. Popular Music History, 11 (1). pp. 47-60. ISSN 1740-7133

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Győri, Zsolt (2016) Introduction: Special Issue on Crossing national borders in Eastern European popular music. Popular Music History, 11 (1). pp. 5-9. ISSN 1740-7133

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Kránicz, Bence (2017) The multi-layered transnationalism of Fran Palermo. Popular Music History, 10 (3). pp. 241-261. ISSN 1740-7133

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Rigg, Tony ORCID: 0000-0001-6507-253X (2021) Challenges to British Nightclubs During and After the Covid-19 Pandemic. Dancecult: Journal of Electronic Dance Music Culture, 13 (1). pp. 69-87. ISSN 1947-540

Purves, Robin ORCID: 0000-0002-4614-0426 (2020) Subject of the Drone. Metal Music Studies, 6 (2). pp. 145-159. ISSN 2052-3998

Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2014) Seasons in the Abyss: Heavy Metal As Liturgy. Diskus, 16 (1). pp. 12-29. ISSN 0967-8948

Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2017) Svärtningen av grönskan. Aiolos, Tidskrift for Literatur Teori och Estetik: Svart Ekologi, 56 . pp. 91-99. ISSN 1400-7770

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2018) The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap. Open Cultural Studies, 2 (1). pp. 122-135.

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2018) The Intertextuality and Translations of Fine Art and Class in Hip-Hop Culture. Arts, 7 (4). p. 80. ISSN 2076-0752

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2020) Urban Myths and Rural Legends: An Alternate Take on the Regionalism of Hip Hop. Popular Music and Society, 44 (3). ISSN 0300-7766

Book Section

Artamonova, Elena ORCID: 0000-0002-2221-1955 (2020) Диалог культур: наследие Александра Ивашкина (по страницам архивных материалов и публикаций) [Dialogue of Cultures: The Legacy of Alexander Ivashkin (Based on Archival Materials and Publications)]. In: Russian-British intercultural dialogue: Russian Music in Britain – British Music in Russia. // Российско-британский культурный диалог: русская музыка в Великобритании – британская музыка в России. International Academic Conference 10–11 October 2019 (Moscow, Russia) 6–7 November 2019 (Preston, UK) . State Institute of Art Studies (SIAS), Moscow, pp. 154-167. ISBN ISBN 978-5-98287-165-7

Artamonova, Elena ORCID: 0000-0002-2221-1955 (2023) Unfinished Sonata for Viola and Piano by Mikhail Glinka. Manuscripts of Glinka and performance edition of Vadim Borisovsky. In: Искусствознание, наука, опыт, просвещение (Art knowledge, science, experience and enlightenment). State Institute of Art Studies (SIAS), Moscow, Russia, pp. 248-257. ISBN 978-5-98287-204-3

Gillon, Leslie ORCID: 0000-0003-2428-1866 (2020) Live Music Playbour: a Piece of the Puzzle. In: The Future of Live Music. Bloomsbury Publishing, New York. ISBN 9781501355882

Gillon, Leslie ORCID: 0000-0003-2428-1866 (2020) Nostalgia and Simulacra: Blackpool in Song. In: Blackpool in Film and Popular Music. Palgrave Macmillan, London, pp. 83-99. ISBN 978-3-030-49934-1

Gillon, Leslie ORCID: 0000-0003-2428-1866 and Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2018) The Missing Star of MC Tunes. In: Sounds Northern - Popular Music, Culture and Place in England’s North. Equinox Publishing, London, pp. 174-189. ISBN 9781781795712

Kaufman, William ORCID: 0000-0002-5206-647X (2021) 'The Civil Rights Movement'. In: The World of Bob Dylan. Cambridge University Press, Cambridge and New York, pp. 239-250. ISBN 9781108583398

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2017) Czesław Niemen: Between Enigma and Political Pragmatism. In: Popular Music in Eastern Europe Breaking the Cold War Paradigm. Pop Music, Culture and Identity . Palgrave Macmillan, London, pp. 243-264. ISBN 978-1-137-59272-9

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2020) The Influence of Berlin on Austrian and Polish Electronic Musickers. In: The New Age of Electronic Dance Music and Club Culture. Music Business Research book series (MUBURE) . Springer, pp. 77-88. ISBN 978-3-030-39001-3

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2020) The Present and the Future of Polish Coastal Music Festivals. In: The Future of Live Music. Bloomsbury Publishing. ISBN 9781501355882

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264, Rigg, Tony ORCID: 0000-0001-6507-253X and Gillon, Leslie ORCID: 0000-0003-2428-1866 (2020) Introduction: The Continuous Significance of Live Music. In: The Future of Live Music. Bloomsbury Publishing. ISBN 9781501355882

O'Boyle, Tom and Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2016) The future of metal is bright and hell bent for genre destruction: A response to keith kahn-harris. In: Global Metal Music and Culture: Current Directions in Metal Studies. Taylor and Francis, pp. 333-342. ISBN 9781138822382

O'Riordan, Jules and Gillon, Leslie ORCID: 0000-0003-2428-1866 (2021) The Artist Manager Relationship. In: The Present and Future of Music Law. Bloomsbury Publishing. ISBN 9781501367779

Rigg, Tony ORCID: 0000-0001-6507-253X and Harrison, Ann (2021) Music Law: Unravelling complexities by Tony Rigg and The perspective of a legal practitioner by Ann Harrison. In: The Present and Future of Music Law. Bloomsbury Academic, New York. ISBN 9781501367779

Rigg, Tony ORCID: 0000-0001-6507-253X and Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2018) The Adaptive Musician: The Case Study of Peter Hook and Graham Massey. In: Popular Music In The Post Digital Age; Politics, Economy, Culture and Technology [1st Edition]. Bloomsbury Publishing, New York. ISBN 9781501338397

Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2016) Absurd Communities of Misanthropic Paradox Destruction: You Play and We’ll Destroy the House! In: Heavy Metal and the Communal Experience. Rowman & Littlefield, Maryland USA, pp. 23-36. ISBN 978-1-4985-0638-0

Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2019) Revelation of a documentary triptych Defining metal through Some Kind of Monster, Anvil! The Story of Anvil and Beyond the Lighted Stage. In: Heavy Metal at the Movies. Ashgate Screen music series, 1 . Routledge. ISBN 9781138571594

Varas-Dias, Nelson and Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2016) Heavy Metal and the Communal Experience An Introduction. In: Heavy Metal and the Communal Experience. Rowman & Littlefield, Maryland USA, vi-xii. ISBN Hbk: 978-1-4985-0638-0 (August 2016); EBook: 978-1-4985-0639-7 (August 2016)

Monograph

Aveyard, Jon ORCID: 0000-0002-0063-6848 (2021) Binaural-Visual Avatars: live streaming binaural audio and video from a mobile point of audition/view. Documentation. UNSPECIFIED.

Aveyard, Jon ORCID: 0000-0002-0063-6848 (2020) In Situ Improvised Soundscape Mixing. Other. Self-Published, Preston, UK.

Conference or Workshop Item

Artamonova, Elena ORCID: 0000-0002-2221-1955 (2018) The Golovanov Case in 1928, Poputchiki Recent Archival Findings. In: The 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018), 05-06 October, 2018, Moscow, Russia.

Artamonova, Elena ORCID: 0000-0002-2221-1955 (2017) Orchestration of the National Anthem of the USSR. Recent Discoveries in Russian Archives. In: The 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017), 09-11 November, 2017, Moscow, Russia.

Aveyard, Jon ORCID: 0000-0002-0063-6848 (2016) Escaping the Time-Pitch Matrix. In: Future Sound Music Conference, 16-17 May 2016, University of Central Lancashire.

Aveyard, Jon ORCID: 0000-0002-0063-6848 and Wilkinson, Dan ORCID: 0000-0003-1747-888X (2017) Third City: Changing roles of performers and tools within electroacoustic improvisation. In: Exploring Musical Improvisation, July 10-11 2017, University of Central Lancashire.

Davenport, Jack Willam, Lochrie, Mark ORCID: 0000-0002-7909-8455 and Law, John (2017) Supporting Creative Confidence in a Musical Composition Workshop: Sound of Colour. In: CHI PLAY, 15-18 October 2017, Amsterdam.

Halstead, Oliver, Davenport, Jack Willam and Dejaegere, Ruben (2018) Activating Archives: Combining Elements of Japanese Culture to Create a New and Playful Musical Experience. In: Audio Mostly 2018 on Sound in Immersion and Emotion, 12-14 September 2018, Wrexham.

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 (2016) Collaborative Dialogue in Cross-Disciplinary Sound and Design. In: Music Composition as Interdisciplinary Practice, 28-29 June 2016, University of York. (Unpublished)

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 and Stawarska-Beavan, Magda ORCID: 0000-0002-8893-9068 (2017) Bosphorus: a practice-based investigation into borders and collaboration. In: the Eighth International Conference on Music and Sonic Art: Practices and Theories (MuSA 2017), July 6 - 9, 2017, Hochschule für Musik, Karlsruhe – Institut für Musikwissenschaft und Musikinformatik (IMWI) Am Schloss Gottesaue 7, 76131 Karlsruhe. (Unpublished)

Rigg, Tony ORCID: 0000-0001-6507-253X (2021) The Present and Future of Music Law, Online Conference. In: The Present and Future of Music Law, Conference, 25 August 2021, Online.

Stawarska-Beavan, Magda ORCID: 0000-0002-8893-9068 (2018) ‘Inner listening: Translating the City’ presented at ISSTA 2018 – Who’s Listening? Sound and Public Space Irish Sound, Science and Technology Association International Conference. In: ISSTA 2018 – Who’s Listening? Sound and Public Space, 9-10 November 2018, Ulster University, Derry, Northern Ireland.

Titley, William David ORCID: 0000-0002-5594-1209 (2018) The Time Machine - A performative lecture for The Asia Triennial Manchester 2018. In: Who Do You think You Are?, 16 October 2018, Whitworth Art Gallery.

Tsioutas, Konstantinos, Doumanis, Ioannis ORCID: 0000-0002-4898-7209 and Xylomenos, George (2019) A framework for understanding and defining Quality of Musicians' Experience in Network Music Performance environments. In: 146th AES Convention, 20-23 March 2019, Dublin, Ireland.

Tsioutas, Konstantinos, Ratzos, Konstantinos, Xylomenos, George and Doumanis, Ioannis ORCID: 0000-0002-4898-7209 (2021) Multimodal Assessment of Network Music Performance. In: UNSPECIFIED.

Tsioutas, Konstantinos, Xylomenos, George and Doumanis, Ioannis ORCID: 0000-0002-4898-7209 (2019) Aretousa: A competitive audio streaming software for Network Music Performance. In: 146th AES Convention, 20-23 March 2019, Dublin, Ireland.

Tsioutas, Konstantinos, Xylomenos, George, Doumanis, Ioannis ORCID: 0000-0002-4898-7209 and Angelou, Christos (2020) Quality of Musicians' Experience in Network Music Performance: A Subjective Evaluation. In: UNSPECIFIED.

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2019) The Myth of the Elements: Compilation, Representation and the Construction of Hip Hop in Rural Britain During the 1980s. In: ELEMENTS BRISTOL, European Hip Hop Studies Network, 6-8 June 2019, University of Bristol. (Unpublished)

Book

Harrison, Ann and Rigg, Tony ORCID: 0000-0001-6507-253X (2021) The Present and Future of Music Law. Bloomsbury Publishing, USA. ISBN 9781501367779

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2020) Blackpool in Film and Popular Music. Palgrave Macmillan. ISBN 978-3-030-49935-8

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2018) Popular Viennese Electronic Music, 1990-2015: A Cultural History. Routledge. ISBN 9781138713918

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264, Gillon, Leslie ORCID: 0000-0003-2428-1866 and Rigg, Tony ORCID: 0000-0001-6507-253X (2020) The Future of Live Music. Bloomsbury Publishing. ISBN 9781501355882

Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264, Gillon, Leslie ORCID: 0000-0003-2428-1866 and Rigg, Tony ORCID: 0000-0001-6507-253X (2018) Popular Music in the Post-Digital Age Politics, Economy, Culture and Technology. Bloomsbury Publishing. ISBN 9781501338397

Scanlan, John ORCID: 0000-0003-2951-7823 (2022) Rock 'n' Roll Plays Itself: A Screen History. N/A . Reaktion Books, London. ISBN 9781789145724

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2020) PROVINCIAL HEADZ: BRITISH HIP HOP AND CRITICAL REGIONALISM. Transcultural Music Studies . Equinox Publishing, Sheffield. ISBN 9781781796443

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2020) Scratching The Surface: Hip Hop, Remoteness, and Everyday Life. Squagle House, United Kingdom. ISBN 9781527266582

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 and Kerr, David ORCID: 0000-0002-4745-6676 (2020) HEADZ-zINe 'REGIONS-UK' NORTH-WEST HEADZ: Vol. 1, Issue 1. Squagle House. ISBN 978-1-5272-6848-7

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 and McNally, James (2021) HEADZ-zINe 'REGIONS-UK' BRISTOL HEADZ SPECIAL EDITION: Vol 1, Issue 3. HEADZ-zINe, 1 (3). Squagle House, United Kingdom.

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 and McNally, James (2021) HEADZ-zINe 'REGIONS-UK' SOUTH-WEST HEADZ: Vol. 1, Issue 2. HEADZ-zINe, 1 (2). Squagle House, United Kingdom. ISBN 978-1-5272-9509-4

Thesis

Bryant, Stephen Peter (2016) Practice-Led Research into Music: a Synergetic Trifecta of Glissandi, Microtonality, and Isorhythms. Doctoral thesis, University of Central Lancashire.

Conduit, Susan Anne (2017) A Cultural Study Of Two-Tone In The Socio-Political And Economic Context Of The 1970s. Masters thesis, University of Central Lancashire.

Evans, Adam Robert heilyn llyr ORCID: 0000-0003-4797-7495 (2021) The Evolution of the Micro-ecologies and Micro-economies of Regional-rural Hip-hop in Devon, UK, 1983-1993. Doctoral thesis, University of Central Lancashire.

Flynn, Justine ORCID: 0000-0003-3037-5009 (2016) ImponderableSound: Using infrasonic frequencies within sonic art installations. Masters thesis, University of Central Lancashire.

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 (2018) Music as Pure Duration: a dialogue between music and philosophy. Doctoral thesis, University of Central Lancashire.

Nixon, Philip Anthony (2014) The Battle against Virtual Pirates: Promoting or Destroying Creativity? Masters thesis, University of Central Lancashire.

Partridge, Simon Benjamin ORCID: 0000-0002-7712-9940 (2023) The Constituents of Successful Group Musical Improvisation: Insights from within the developing practice of the Cold Bath Street band. Doctoral thesis, University of Central Lancashire.

Peng, Wenqian (2024) Through the Lens of Yin-Yang: Photography and Music Exploring Continuity. Doctoral thesis, University of Central Lancashire.

Artefact

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2015) Future Shock '64/BANG! - Specifik and Project Cee. [Artefact]

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2019) HAZARDOUS - DEF DEFIANCE. [Artefact]

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2016) Project The Future - The Projections. [Artefact]

Show/Exhibition

Broadey, Andrew ORCID: 0000-0003-2916-0115 (2016) Untitled (2:10am). [Show/Exhibition]

Flynn, Justine ORCID: 0000-0003-3037-5009 (2016) Imponderable Sound. [Show/Exhibition]

Flynn, Justine ORCID: 0000-0003-3037-5009 (2022) ImponderableSound Live: SuiteSpot. [Show/Exhibition]

Hill, Tracy ORCID: 0000-0002-6218-4242, Hoyte, Ralph and Phelps, Phill (2020) Erygmascope. [Show/Exhibition]

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 (2018) Ekhe - Contexual Statement. [Show/Exhibition]

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 and Devol, Alexander (2018) Chord(s) for Objects - Contextual Statement. [Show/Exhibition]

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 and de Vol, alexander (2018) Chord(s) for Objects. [Show/Exhibition]

Wilkinson, Dan ORCID: 0000-0003-1747-888X (2016) with((in)(out)). [Show/Exhibition]

Composition

Aveyard, Jon ORCID: 0000-0002-0063-6848 (2015) 'Alien'. [Composition]

Aveyard, Jon ORCID: 0000-0002-0063-6848 (2016) Cotton Mill, for samba band. [Composition]

Benito Gutierrez, Isabel ORCID: 0009-0004-4668-5962 (2020) Quasi uno Specchio. [Composition]

Benito Gutierrez, Isabel ORCID: 0009-0004-4668-5962 (2022) Remurmurs. [Composition]

Benito Gutierrez, Isabel ORCID: 0009-0004-4668-5962 (2022) Tres Tramas del Agua. [Composition]

Benito Gutierrez, Isabel ORCID: 0009-0004-4668-5962 (2023) oiRio for String Quartet. [Composition]

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 (2014) Sedere, Audire. [Composition]

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 and Aveyard, Jon ORCID: 0000-0002-0063-6848 (2019) Four Stories - Contextual Statement. [Composition]

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2016) Action Speaks Louder. [Composition]

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2016) Mathematic Facts. [Composition]

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2019) No Hatchet. [Composition]

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2017) Not A Love Song. [Composition]

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2016) Sometimes. [Composition]

Performance

Aveyard, Jon ORCID: 0000-0002-0063-6848 and Wilkinson, Dan ORCID: 0000-0003-1747-888X (2017) Third City 2017 set. [Performance]

De Carolis, Giorgio ORCID: 0000-0002-1114-3918 and Aveyard, Jon ORCID: 0000-0002-0063-6848 (2016) And What If...? [Performance]

Gillon, Leslie ORCID: 0000-0003-2428-1866, Aveyard, Jon ORCID: 0000-0002-0063-6848 and Partridge, Simon Benjamin ORCID: 0000-0002-7712-9940 (2021) Balconi. [Performance]

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 (2014) Catharsis. [Performance] (Unpublished)

Image

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 (2018) Before Sound. [Image]

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 and van Rheede-Toas, Rhianne (2014) Sedere, Audire. [Image] (Unpublished)

Video

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 and Stawarska-beavan, Magda ORCID: 0000-0002-8893-9068 (2018) Bosphorus. [Video]

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 and Stawarska-beavan, Magda ORCID: 0000-0002-8893-9068 (2018) Bosphorus [Installation]. [Video]

Horsley, Joshua Robert ORCID: 0000-0003-0089-5150 and Stawarska-beavan, Magda ORCID: 0000-0002-8893-9068 (2017) Bosphorus [Single Screen, 8 Channel Audio Version (Stereo Reduction)]. [Video]

Partridge, Simon ORCID: 0000-0002-7712-9940 Self-Isolating Clouds - Cold Bath Street. [Video]

Audio

Gillon, Leslie ORCID: 0000-0003-2428-1866, Barker, Jerry, Waite, Damon and Norman, Ron (2004) Fez: Planet Stupid. [Audio]

Gillon, Leslie ORCID: 0000-0003-2428-1866, Partridge, Simon Benjamin ORCID: 0000-0002-7712-9940, Duncan, Andrew, Hoyle, Ady, Hodgson, Liz and Cook, Ken (2020) Fire Tower Four 'Day One'. [Audio]

Himid, Lubaina (2018) BBC Radio 3, Private Passions - Lubaina Himid 6th May 2018. [Audio]

Partridge, Simon Benjamin ORCID: 0000-0002-7712-9940 (2016) Cold Bath Street - Return to the Atomic Age. [Audio]

Urquhart, Steve (2018) Greetings Music Lovers. [Audio]

Other

Aveyard, Jon ORCID: 0000-0002-0063-6848 (2020) Points of Audition. Self-Published.

Aveyard, Jon ORCID: 0000-0002-0063-6848 and Wilkinson, Dan ORCID: 0000-0003-1747-888X (2018) Third City project. De Gruyter. (Unpublished)

Holmes, Philip Michael ORCID: 0000-0003-4897-582X and Parmar, Paresh ORCID: 0000-0003-3072-9372 (2018) The Global Sound Movement. University of Central Lancashire (UCLan), online.

Scott, Niall William richard ORCID: 0000-0001-5120-4132, Varas-Díaz, Nelson, Hassan, Nedim and Hagen, Ross (2022) Editorial. Intellect.

Varas-Díaz, Nelson, Hassan, Nedim, Hagen, Ross and Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2023) Editorial. Intellect.

de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2020) Book Review: This Must Be The Place: an Architectural History of Popular Music Performance Venues. By Robert Kronenburg. New York: Bloomsbury, 2019. 286 pp. ISBN 9781501319280. Cambridge University Press, Popular Music.