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Gillon, Leslie ORCID: 0000-0003-2428-1866 (2018) Varieties of Freedom in Music Improvisation. Open Cultural Studies, 2 (1). pp. 781-789. ISSN 2451-3474
Gregory, Georgina ORCID: 0000-0002-7532-7484 (2012) You Can Make Me Whole Again: Using Embodiment in the Simulation of Reunion. Journal of Popular Music History, 7 (2). pp. 211-224. ISSN 1740-7133
Shakespeare, Steven and Scott, Niall William Richard ORCID: 0000-0001-5120-4132 (2015) The swarming logic of inversion and the elevation of Satan. Helvete: A Journal of Black Metal Theory, 2015 (2). pp. 1-11. ISSN 2326-683X
Artamonova, Elena ORCID: 0000-0002-2221-1955 (2023) Silver Age Aesthetics versus New Conceptions of Soviet Time in Music: Continuity or Discontinuity with the Past. In: A Culture of Discontinuity? Russian Cultural Debates in Historical Perspective. Cultural History and Literary Imagination, 34 . Peter Lang, Oxford, United Kingdom, pp. 299-316. ISBN 978- 1- 78997- 937- 4
Atkinson, Peter James ORCID: 0000-0002-8638-9808 (2010) The Beatles and the broadcasting of cultural revolution, 1958-1963. In: Fifty years with the Beatles: the impact of the Beatles on contemporary culture. Lodz University Press, Lodz, pp. 15-28. ISBN 978-83-7525-465-5
Atkinson, Peter James ORCID: 0000-0002-8638-9808 (2015) The Sons and Heirs of Something Particular. In: Regional Aesthetics : mapping UK media cultures. Media and Culture . Palgrave Macmillan, London. ISBN 9781137532824
Gregory, Georgina ORCID: 0000-0002-7532-7484 (2015) Emotional Places: The Role of Affect in the Relocation of Mancunian Melancholia. In: Relocating Popular Music. Pop Music, Culture and identity, 2 . Springer, London, pp. 207-224. ISBN 978-1-349-69057-2
Gregory, Georgina ORCID: 0000-0002-7532-7484 (2014) madonna: reifying hegemnony and shunning resistence with "Camp Lite". In: Redifining Kkitsch and camp in literature and culture. Cambridge Scholars Publishing, Cambridge, pp. 191-204. ISBN 978-1443862219
Purves, Robin ORCID: 0000-0002-4614-0426 (2016) "Fatal Flower garden": the execution of a child ballad. In: Harry Smith's Anthology of American folk music. Routledge, London. ISBN 9781472479204
Scott, Niall William Richard ORCID: 0000-0001-5120-4132 (2016) Heavy Metal as resistance. In: Heavy Metal Studies and Popular Culture. Palgrave Macmillan, London, pp. 19-35. ISBN 978-1-137-45667-0
Scott, Niall William Richard ORCID: 0000-0001-5120-4132 (2016) The Monstrous Male and Myths of Masculinity in Heavy Metal. In: Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches. Ashgate Popular and Folk Music Series . Routledge, London. ISBN 9781472424792
Aveyard, Jon ORCID: 0000-0002-0063-6848 (2010) Spatial and subjective points-of-audition in binaural recordings. In: Forum for Innovation in Music Production and Composition, 20th May 2010, Leeds College of Music.
Titley, William David ORCID: 0000-0002-5594-1209 (2018) The Time Machine - A performative lecture for The Asia Triennial Manchester 2018. In: Who Do You think You Are?, 16 October 2018, Whitworth Art Gallery.
Gregory, Georgina ORCID: 0000-0002-7532-7484 (2012) Send in the clones: a cultural study of the tribute band. Equinox Publishing, London. ISBN 9781845532635
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2018) Popular Viennese Electronic Music, 1990-2015: A Cultural History. Routledge. ISBN 9781138713918
de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 and Kerr, David ORCID: 0000-0002-4745-6676 (2020) HEADZ-zINe 'REGIONS-UK' NORTH-WEST HEADZ: Vol. 1, Issue 1. Squagle House. ISBN 978-1-5272-6848-7