Atkinson, Peter James ORCID: 0000-0002-8638-9808
(2011)
'The Beatles on BBC Radio in 1963: The "Scouse" Inflection and a Politics of Sound in the Rise of Mersey Beat'.
Popular Music and Society, 34
(2).
pp. 163-175.
ISSN 0300-7766
Gillon, Leslie ORCID: 0000-0003-2428-1866
(2018)
Varieties of Freedom in Music Improvisation.
Open Cultural Studies, 2
(1).
pp. 781-789.
ISSN 2451-3474
Gregory, Georgina ORCID: 0000-0002-7532-7484
(2012)
You Can Make Me Whole Again: Using Embodiment in the Simulation of Reunion.
Journal of Popular Music History, 7
(2).
pp. 211-224.
ISSN 1740-7133
Shakespeare, Steven and Scott, Niall William Richard ORCID: 0000-0001-5120-4132
(2015)
The swarming logic of inversion and the elevation of Satan.
Helvete: A Journal of Black Metal Theory, 2015
(2).
pp. 1-11.
ISSN 2326-683X
Artamonova, Elena ORCID: 0000-0002-2221-1955
(2023)
Silver Age Aesthetics versus New Conceptions of Soviet Time in Music: Continuity or Discontinuity with the Past.
In:
A Culture of Discontinuity? Russian Cultural Debates in Historical Perspective.
Cultural History and Literary Imagination, 34
.
Peter Lang, Oxford, United Kingdom, pp. 299-316.
ISBN 978- 1- 78997- 937- 4
Atkinson, Peter James ORCID: 0000-0002-8638-9808
(2010)
The Beatles and the broadcasting of cultural revolution, 1958-1963.
In:
Fifty years with the Beatles: the impact of the Beatles on contemporary culture.
Lodz University Press, Lodz, pp. 15-28.
ISBN 978-83-7525-465-5
Atkinson, Peter James ORCID: 0000-0002-8638-9808
(2015)
The Sons and Heirs of Something Particular.
In:
Regional Aesthetics : mapping UK media cultures.
Media and Culture
.
Palgrave Macmillan, London.
ISBN 9781137532824
Gregory, Georgina ORCID: 0000-0002-7532-7484
(2015)
Emotional Places: The Role of Affect in the Relocation of Mancunian Melancholia.
In:
Relocating Popular Music.
Pop Music, Culture and identity, 2
.
Springer, London, pp. 207-224.
ISBN 978-1-349-69057-2
Gregory, Georgina ORCID: 0000-0002-7532-7484
(2014)
madonna: reifying hegemnony and shunning resistence with "Camp Lite".
In:
Redifining Kkitsch and camp in literature and culture.
Cambridge Scholars Publishing, Cambridge, pp. 191-204.
ISBN 978-1443862219
Purves, Robin ORCID: 0000-0002-4614-0426
(2016)
"Fatal Flower garden": the execution of a child ballad.
In:
Harry Smith's Anthology of American folk music.
Routledge, London.
ISBN 9781472479204
Scott, Niall William Richard ORCID: 0000-0001-5120-4132
(2016)
Heavy Metal as resistance.
In:
Heavy Metal Studies and Popular Culture.
Palgrave Macmillan, London, pp. 19-35.
ISBN 978-1-137-45667-0
Scott, Niall William Richard ORCID: 0000-0001-5120-4132
(2016)
The Monstrous Male and Myths of Masculinity in Heavy Metal.
In:
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches.
Ashgate Popular and Folk Music Series
.
Routledge, London.
ISBN 9781472424792
Aveyard, Jon ORCID: 0000-0002-0063-6848
(2010)
Spatial and subjective points-of-audition in binaural recordings.
In: Forum for Innovation in Music Production and Composition, 20th May 2010, Leeds College of Music.
Titley, William David ORCID: 0000-0002-5594-1209
(2018)
The Time Machine - A performative lecture for The Asia Triennial Manchester 2018.
In: Who Do You think You Are?, 16 October 2018, Whitworth Art Gallery.
Gregory, Georgina ORCID: 0000-0002-7532-7484
(2012)
Send in the clones: a cultural study of the tribute band.
Equinox Publishing, London.
ISBN 9781845532635
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264
(2018)
Popular Viennese Electronic Music, 1990-2015: A Cultural History.
Routledge.
ISBN 9781138713918
de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 and Kerr, David
ORCID: 0000-0002-4745-6676
(2020)
HEADZ-zINe 'REGIONS-UK' NORTH-WEST HEADZ: Vol. 1, Issue 1.
Squagle House.
ISBN 978-1-5272-6848-7