Barone, Stefano ORCID: 0000-0003-0437-9452 (2016) Fragile scenes, fractured communities: Tunisian Metal and sceneness. Journal of Youth Studies, 19 (1). pp. 20-35. ISSN 1367-6261
Barone, Stefano ORCID: 0000-0003-0437-9452 (2019) Metal, Rap, and Electro in post-revolutionary Tunisia. A Fragile Underground. Routledge Studies in Popular Music Series . Routledge, Oxon/New York. ISBN 978-1-138-48620-1
de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2018) From Broken Glass to Ruf Diamonds: Manchester Hip Hop. In: Sounds Northern. Equinox Publishing, pp. 155-173. ISBN 9781781795712
de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2018) The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap. Open Cultural Studies, 2 (1). pp. 122-135.
de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 (2018) Soft Tension: Reimaginging urbanism and rurality through the spatio-cultural practices of hip hop. In: Rurality Re-imagined: Villagers, Farmers, Wanderers, Wild Things. Applied Research and Design, USA - San Francisco Bay Area. ISBN 9781940743349
de Paor-Evans, Adam ORCID: 0000-0003-4797-7495 and Kerr, David ORCID: 0000-0002-4745-6676 (2020) HEADZ-zINe 'REGIONS-UK' NORTH-WEST HEADZ: Vol. 1, Issue 1. Squagle House. ISBN 978-1-5272-6848-7
Golpushnezhad, Elham and Barone, Stefano ORCID: 0000-0003-0437-9452 (2016) « ON N’EST PAS À VENDRE ». L’ÉCONOMIE POLITIQUE DU RAP DANS LA TUNISIE POST-RÉVOLUTION. Politique Africaine, 1 (141). pp. 27-51. ISSN 0244-7827
Grebenar, Alex (2020) Lost in Music: Mapping the 21st Century House Music Event Experience. Journal of Policy Research in Tourism, Leisure and Events, 12 (3). pp. 363-381. ISSN 1940-7963
Hall, Bethany ORCID: 0000-0001-7143-4605, Khan, Roxanne ORCID: 0000-0002-3485-2450 and Eslea, Mike J ORCID: 0000-0003-1273-0302 (2022) Criminalising Black Trauma: Grime and Drill Lyrics as a Form of Ethnographic Data to Understand “Gangs” and Serious Youth Violence. Genealogy, 7 (1). p. 2.
Morris, Carl ORCID: 0000-0001-6698-3116 (2019) Sacred Sounds: Muslim Musicians, Cultural Evolution and Social Change in Britain. In: Aspects of Performance in Faith Settings: Heavenly Acts. Cambridge Scholars Publishing, pp. 211-232. ISBN 978-1-5275-2193-3
Rigg, Tony ORCID: 0000-0001-6507-253X and Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 (2018) The Adaptive Musician: The Case Study of Peter Hook and Graham Massey. In: Popular Music In The Post Digital Age; Politics, Economy, Culture and Technology [1st Edition]. Bloomsbury Publishing, New York. ISBN 9781501338397
Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2019) Black Metal's Apophatic Curse. Theologiques, 26 (1). pp. 185-206. ISSN 1188-7109
Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2017) Svärtningen av grönskan. Aiolos, Tidskrift for Literatur Teori och Estetik: Svart Ekologi, 56 . pp. 91-99. ISSN 1400-7770
Scott, Niall William richard ORCID: 0000-0001-5120-4132, Barone, Stefano ORCID: 0000-0003-0437-9452, O'boyle, Thomas Timothy ORCID: 0000-0002-9912-7882, Milas, Alexander, Khatib, Lina and Rettalick, Joshua (2019) World Metal Congress, Rich Mix, Shoreditch, London 21-22 March 2019. Metal Music Studies, 5 (3). pp. 425-431. ISSN 2052-3998
Titley, William David ORCID: 0000-0002-5594-1209 (2014) Recorded Soul - A Northern Soul All-Nighter at Victoria Baths in Manchester - 8pm till 8am. [Show/Exhibition]
Titley, William David ORCID: 0000-0002-5594-1209 (2016) Recorded Souls - The Sound of an Underground. [Audio] (Unpublished)
Titley, William David ORCID: 0000-0002-5594-1209 (2018) The Time Machine - A performative lecture for The Asia Triennial Manchester 2018. In: Who Do You think You Are?, 16 October 2018, Whitworth Art Gallery.
Varas-Dias, Nelson and Scott, Niall William richard ORCID: 0000-0001-5120-4132 (2016) Heavy Metal and the Communal Experience An Introduction. In: Heavy Metal and the Communal Experience. Rowman & Littlefield, Maryland USA, vi-xii. ISBN Hbk: 978-1-4985-0638-0 (August 2016); EBook: 978-1-4985-0639-7 (August 2016)
Willson, Nicole Louise ORCID: 0000-0001-5935-9075 (2020) Excavating Occluded Histories at Destrehan Plantation: Afro-Creole Resistance from “Marguerite” to Beyoncé. Journal of American Studies, 54 (4). pp. 775-808. ISSN 0021-8758