Items where Subject is "W440 - Theatre studies"

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Braithwaite, Phil ORCID: 0000-0002-8349-6448 (2014) The Mercy Clause. [Artefact]

Bulgarelli, Marcelo, Chapman, Terence Henry, Paterno, Claudio Massimo and Reid, Robert (2022) Biomechanical Diasporas: Practitioner Perspectives on the Transmission of Meyerhold's Techniques. In: The Routledge Companion to Vsevolod Meyerhold. Routledge. ISBN 9781003110804

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Evans, Ronald (2022) Catching feelings: Measurement of Theatre Audience Emotional Response Through Performance. Doctoral thesis, University of Central Lancashire.

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Hampton-Reeves, Stuart (2019) Shakespeare in the Theatre: Peter Hall. Bloomsbury Publishing, London. ISBN 9781472587107

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Merrill, Lisa and Saxon, Theresa ORCID: 0000-0002-2129-2570 (2022) Black Americans in Russia: Ira Aldridge and Paul Robeson. In: Revolutionary lives of the Red and Black Atlantic since 1917. Racism, Resistance and Social Change, II . Manchester University Press (MUP), Manchester. ISBN 9781526144782

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Rome, Amy ORCID: 0009-0007-5479-8651 (2021) Review of: Owning Our Voices: Vocal Discovery in the Wolfsohn-Hart Tradition, Margaret Pikes and Patrick Campbell (2021) New York: Routledge, 222 pp., ISBN 978-0-36713-322-1, p/bk, £34.99 (Book Review). Intellect.

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Saxon, Theresa ORCID: 0000-0002-2129-2570 (2020) Ira Aldridge in the North of England: Provincial Theatre and the Politics of Abolition. In: Britain's Black Past. Liverpool University Press, Liverpool, pp. 275-293. ISBN 978-1-789-62161-7

Saxon, Theresa ORCID: 0000-0002-2129-2570 (2021) Performing Il/legibility Staging Miscegenation in Oroonoko and Inkle and Yarico on the late Eighteenth-Century Stage. In: American Cultures as Transnational Performance. Routledge, London, pp. 38-52. ISBN 9781003048947

Saxon, Theresa ORCID: 0000-0002-2129-2570 and Merrill, Lisa (2025) African Americans on the (Post) Reconstruction Stage. In: American Literature 1880-1900. Cambridge University Press, Cambridge.

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Wilson, Lyndsey Ann (2005) Acts of interpretation: An exploration of the role 'played' or 'performed' by the audience in the process of viewing as it affects the production of meaning and interpretation. Masters thesis, University of Central Lancashire.