Items where Subject is "W620 - Cinematography"

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Group by: Creators | Item Type
Jump to: D | K | M
Number of items at this level: 20.

D

De Jong, Wilma, Rothwell, Jerry and Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2011) Creative Documentary: theory and practice. Routledge. ISBN 9781405874229

K

Knudsen, Erik (2010) Cinema of Poverty: Independence and Simplicity in an Age of Abundance and Complexity. Wide Screen, 2 (2). ISSN 1757-3920

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2004) Creation and I, Me and my Work: A Personal Account of Relations Between Film, Film-maker and Teaching. In: Visualising Anthropology. Intellect. ISBN 9781841501123

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2015) Dependency and Independence in British Independent Film. In: Independent Filmmaking Around The Globe. University of Toronto Press (UTP), Toronto, pp. 53-70. ISBN 978-1-4426-4948-4

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2014) Eyes and Narrative Perspective On Story: A Practice-led Exploration of the Use of Eyes and Eye lines in Fiction Film. Journal of Media Practice, 15 (1). pp. 3-20. ISSN 1468-2753

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2004) The Eyes of the Beholder: does responsibility for the lack of quality screenplays really lie at the door of inadequately trained screenwriters? Journal of Media Practice, 5 (3). pp. 181-186. ISSN 1468-2753

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2007) Heart of Gold: Fact and Mysticism in Documentary Form. Journal of Media Practice, 8 (1). 49 - 61. ISSN 1468-2753

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2018) Method In Madness - a case study in practice research methods. In: Screen Production Research: Creative Practice as a mode of enquiry. Taylor and Francis. ISBN 978-3-319-62836-3

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2015) The Raven On The Jetty. [Video]

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2010) The Silent Accomplice. [Video]

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2016) The Total Filmmaker: Thinking of screenwriting, directing and editing as one role. New Writing: The International Journal for the Practice and Theory of Creative Writing, 13 (1). pp. 109-129. ISSN 1479-0726

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2008) Transcendental Realism in Documentary. In: Rethinking Documentary: new perspectives and practices. UK Higher Education OUP Humanities & Social Sciences Media, Film & Cultural Studies . Open University Press, UK, pp. 108-120. ISBN 978-0335221912

Knudsen, Erik orcid iconORCID: 0000-0001-8361-6975 (2010) Zen and the Art of Film Narrative: Towards a Transcendental Realism in Film. Journal of Screenwriting, 1 (2). 343 - 355. ISSN 1759-7137

M

Mazierska, Ewa Hanna orcid iconORCID: 0000-0002-4385-8264 (2016) Borowczyk as Pornographer. In: The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure. University of Edinburgh, Edinburgh, pp. 113-131. ISBN 9781474405140

Mazierska, Ewa Hanna orcid iconORCID: 0000-0002-4385-8264 (2015) From Self-Fulfilment to Survival of the Fittest: Work in European Cinema from the 1960s to the Present. Berghahn Books, Oxford. ISBN 9781782384861

Mazierska, Ewa Hanna orcid iconORCID: 0000-0002-4385-8264 (2017) Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema. Berghahn Books. ISBN 978-1-78533-536-5

Mazierska, Ewa Hanna orcid iconORCID: 0000-0002-4385-8264 (2016) Production, Consumption, Power, and Humor in the Films of Marek Piwowski. Journal of Film and Video, 68 (2). pp. 14-28. ISSN 0742-4671

Mazierska, Ewa Hanna orcid iconORCID: 0000-0002-4385-8264 (2016) Representation of Slow Violence in the Films about Collapsed East European State Farms. Hungarian Journal of English and American Studies, XXII (2). ISSN 1217-0283

Mazierska, Ewa Hanna orcid iconORCID: 0000-0002-4385-8264 and Naripea, Eva (2016) Transcending ‘Cold Intimacies’ in Veiko Õunpuu’s Works. Baltic Screen Media Review, 4 (1). pp. 60-87. ISSN 2346-5522

Melling, Michelle (2006) Identity and representation under occupation: cultural conflict in contemporary cinema. Masters thesis, University of Central Lancashire.

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