De Jong, Wilma, Rothwell, Jerry and Knudsen, Erik ORCID: 0000-0001-8361-6975
(2011)
Creative Documentary: theory and practice.
Routledge.
ISBN 9781405874229
Knudsen, Erik (2010) Cinema of Poverty: Independence and Simplicity in an Age of Abundance and Complexity. Wide Screen, 2 (2). ISSN 1757-3920
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2004)
Creation and I, Me and my Work: A Personal Account of Relations Between Film, Film-maker and Teaching.
In:
Visualising Anthropology.
Intellect.
ISBN 9781841501123
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2015)
Dependency and Independence in British Independent Film.
In:
Independent Filmmaking Around The Globe.
University of Toronto Press (UTP), Toronto, pp. 53-70.
ISBN 978-1-4426-4948-4
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2014)
Eyes and Narrative Perspective On Story: A Practice-led Exploration of the Use of Eyes and Eye lines in Fiction Film.
Journal of Media Practice, 15
(1).
pp. 3-20.
ISSN 1468-2753
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2004)
The Eyes of the Beholder: does responsibility for the lack of quality screenplays really lie at the door of inadequately trained screenwriters?
Journal of Media Practice, 5
(3).
pp. 181-186.
ISSN 1468-2753
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2007)
Heart of Gold: Fact and Mysticism in Documentary Form.
Journal of Media Practice, 8
(1).
49 - 61.
ISSN 1468-2753
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2018)
Method In Madness - a case study in practice research methods.
In:
Screen Production Research: Creative Practice as a mode of enquiry.
Taylor and Francis.
ISBN 978-3-319-62836-3
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2015)
The Raven On The Jetty.
[Video]
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2010)
The Silent Accomplice.
[Video]
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2016)
The Total Filmmaker: Thinking of screenwriting, directing and editing as one role.
New Writing: The International Journal for the Practice and Theory of Creative Writing, 13
(1).
pp. 109-129.
ISSN 1479-0726
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2008)
Transcendental Realism in Documentary.
In:
Rethinking Documentary: new perspectives and practices.
UK Higher Education OUP Humanities & Social Sciences Media, Film & Cultural Studies
.
Open University Press, UK, pp. 108-120.
ISBN 978-0335221912
Knudsen, Erik ORCID: 0000-0001-8361-6975
(2010)
Zen and the Art of Film Narrative: Towards a Transcendental Realism in Film.
Journal of Screenwriting, 1
(2).
343 - 355.
ISSN 1759-7137
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264
(2016)
Borowczyk as Pornographer.
In:
The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure.
University of Edinburgh, Edinburgh, pp. 113-131.
ISBN 9781474405140
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264
(2015)
From Self-Fulfilment to Survival of the Fittest: Work in European Cinema from the 1960s to the Present.
Berghahn Books, Oxford.
ISBN 9781782384861
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264
(2017)
Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema.
Berghahn Books.
ISBN 978-1-78533-536-5
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264
(2016)
Production, Consumption, Power, and Humor in the Films of Marek Piwowski.
Journal of Film and Video, 68
(2).
pp. 14-28.
ISSN 0742-4671
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264
(2016)
Representation of Slow Violence in the Films about Collapsed East European State Farms.
Hungarian Journal of English and American Studies, XXII
(2).
ISSN 1217-0283
Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Naripea, Eva
(2016)
Transcending ‘Cold Intimacies’ in Veiko Õunpuu’s Works.
Baltic Screen Media Review, 4
(1).
pp. 60-87.
ISSN 2346-5522
Melling, Michelle (2006) Identity and representation under occupation: cultural conflict in contemporary cinema. Masters thesis, University of Central Lancashire.