Representation of poverty in Polish, Lithuanian and Latvian documentary films of the post-communist period

Abstract

This article examines the representation of poor families in three documentary films from the Baltic region, produced after the fall of state socialism: Ewa Borzęcka's 13 or Trzynastka/Thirteen (1996, Poland), Marat Sargsyan's Tėvas/Father (2012, Lithuania) and Andris Gauja's Ģimenes lietas/Family Instinct (2010, Latvia). Each film does so by focusing on a family which does not fit the dominant notion of a normal family and instead comes across as a ‘pathological’ family. Our argument is that by foregrounding such a connection the filmmakers play down the state's responsibility for ensuring a decent standard of living for all citizens.